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Jean Auguste Dominique Ingres Portrait of Duke Ferdinand-Philippe of Orleans (mk04) oil painting


Portrait of Duke Ferdinand-Philippe of Orleans (mk04)
Painting ID::  20450
Jean Auguste Dominique Ingres
Portrait of Duke Ferdinand-Philippe of Orleans (mk04)
1843 Oil on canvas, 156x120cm Musee National du Chateau, Versailles

   
   
     

Jean Auguste Dominique Ingres Portrait of Duke Ferdinand-Philippe of Orleans,as St,Ferdiand of Castile (mk04) oil painting


Portrait of Duke Ferdinand-Philippe of Orleans,as St,Ferdiand of Castile (mk04)
Painting ID::  20454
Jean Auguste Dominique Ingres
Portrait of Duke Ferdinand-Philippe of Orleans,as St,Ferdiand of Castile (mk04)
1842 design for a window of the Chapelle Notre-Dame du la Compassion-Saint-Ferdinand in Neuilly Oil over chalk on canvas, 210x92cm Musee du Louvre, Paris

   
   
     

Jean Auguste Dominique Ingres The Golden GAge (mk04) oil painting


The Golden GAge (mk04)
Painting ID::  20456
Jean Auguste Dominique Ingres
The Golden GAge (mk04)
1842-1847 Oil on wall plaster 480x660cm Chateau de Dampierre, Yvelines

   
   
     

Jean Auguste Dominique Ingres Jesus among the Scribes (mk04) oil painting


Jesus among the Scribes (mk04)
Painting ID::  20463
Jean Auguste Dominique Ingres
Jesus among the Scribes (mk04)
1842-1862 oil on canvas, 265x320cm Musee Ingres, Montauban

   
   
     

Jean Auguste Dominique Ingres The Golden Age (mk04) oil painting


The Golden Age (mk04)
Painting ID::  20464
Jean Auguste Dominique Ingres
The Golden Age (mk04)
1862 Oil on paper,stretched on wood, 46.4x61.9cm Fogg Art Museum,Cambridge

   
   
     

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     Jean Auguste Dominique Ingres
     J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.

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     | Frederick Macmonnies | Anton van den Wyngaerde | Neufchatel, Nicolas de |


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